ulrik munther

So we have come to the pinnacle of the Melodifestivalen season where Sweden decides it’s fate and attempts to put it’s best foot forward to Eurovision with an attempt to win. At the onset of the final, there were two songs that stood out, and the rest tied for last place or varying degrees thereof.

David Lindgren – Shout it out

A fourth place finish is hardly surprising as fresh out of the gate David was the first one to perform. His song seemed to have changed slightly in an attempt to sway the televoters and international juries. All in all an energetic performance of a song that will be played in the discos for years to come. He appeared to have a little more facial hair this time, maybe going for sex appeal?

Thorsten Flinck & Revolutionsorkestern – Jag resar mig igen

I didn’t like it but the public did and ranked it third in televoting, leaving it in eight place overall. Kind of funny that the public carried it so much and yet it ended up third to last? The song is dark and deep but when it comes to actual appeal of it I don’t see it at all. Even when he received his televotes he didn’t look terribly concerned or interest, and even disappointed. It would have been tragic to see him at Eurovision, quite frankly.

Dead by April – Mystery

I don’t like hard rock like in the semi-finals, but this song grew on me after a few listenings. Good vocals and a much more engaged performance led the group to seventh place. Unsurprisingly the performance wasn’t much different, and there wasn’t much change expected from the prior performance.

Lisa Miskovsky – Why start a fire
❗ Personal Favourite

Hands down in my opinion the absolute best song in this years competition. It’s simple and sweet, empathetic and perfectly executed with the most simple of backing dancers to add some flare. A lot of talk was going on around this particular song and why it was voted directly into the final. I can’t say much on that subject, but I’m surprised with it’s finishing ninth. People didn’t get what the hype was about, but mostly because two other singers had the hype surrounding them like a cyclone. Terribly underrated, and again my favourite for the year.

Top Cats – Baby doll

Boring rock song that I’m sick of hearing. I had to hear it once in the semi-final, twice in Andra Chansen and all of the snabb-repriser, so needless to say I wasn’t really digging it. I did start to notice ears a little bit more and how much they stuck out, which made me more interested in watching semi-attractive people dance around on stage trying to convince us to vote for them.

Loreeen – Euphoria
=> Winner
❗ Personal Favourite

The bookies called it at the beginning of the competition and as a result, it won. It was the strongest performance and dances despite illness, but really made for a slightly boring year in Melodifestivalen. The last few years it’s been obvious who will win and there is no last minute voting shockers to give us some more interest. Shocked that she won, and slow getting up on stage resulted in awkward commentating by Sarah Dawn Finer (good job by the way), and a star-struck winner. I do think that she’s a great representative and the best song to win at Eurovision, but I think the introverted nature of Loreen will play against her on the European stage.

Ulrik Munther – Soldiers
=> Second Runner Up
❗ Personal Favourite

Having turned 18 since his last performance, as Sarah Dawn Finer diligently pointed out, pedophiles around Sweden and the world weeped tragedy at their loss. A pretty face, with a good masculine song, and a harmonica for the bonus, but he was no match for team-Danny/Loreen and finished a strong third.

Björn Ranelid feat. Sara Li

I’m thankful that this received the lowest international jury votes, and third lowest televoting votes. The writer had his moment in the semi-final, which will likely be the apex of his musical career, and in the end finished last (thank God) as crushed by the onslaught of the popular artists.

Molly Sandén – Why am I crying?

This song is like nails on a chalkboard for me and doesn’t have any bite to it at all. I ripped it apart in the semi-final review and therefore won’t do it again. I don’t like Molly, I don’t like her ballads, and I don’t like her outfit. It’s a recipe for disaster for me, and as a result this song was a complete non-issue for me this year. The only other artist at this point that would have turned me off from Melodifestivalen would have been Amy Diamond.

Danny Saucedo – Amazing
=> Runner Up
❗ Personal Favourite

Nothing can match the on stage performance that this piece presented; it simply was the best. The message of the song was uplifting and people bought into it. It garnered the second highest televotes and the second highest international jury votes. It’s result is justified, and will only make people love him more. The question is however, if he will turn into Måns Zelmerlöw and not show back up to the competition because of his loss, or will he brush his shoulders off and take the second second place finish in two years and improve to first?

Overall the competition was a success, the right song won, everyone celebrated and professed how much they love Loreen, and life goes on without next to no drama. The highlight of the show for me was the fantastic Sarah Dawn Finer taking the total piss out of the UK doing a parody about their possible ignorance in regards to Baku and Azerbaijan (not even being able to pronounce it; and having no fucking clue where it is). Not only did it make me seriously think it was bang on, but it also made me laugh because everyone could still tell that she was taking the piss!

This is the critic in me signing off until the trip to Baku (which I obviously won’t be making), but will in spirit!

With a week since the last semi-final, we move onto Scandinavium in Göteborg with a semi-final that heats up the quality of music by quite a bit. With an opener of Sara Dawn Finer dressed as a boy-band heartthrob like the Backstreet Boys, it’s hard not to laugh, especially when she’s out of breath dancing. Embrace it baby!

Ulrik Munther – Soldiers
=> Globen
❗ Personal Favourite

When Ulrik appeared on stage, my aunt said “Wow he’s young” and my response to that was: “Wow, he looks Norwegian.” Despite my obvious forwardness with judgements, I was surprised to hear a song that actually was well composed and beautifully executed. The boy is frankly too skinny (as if I’d ever say that…) but his voice has this raspy feeling that shows a bit of soul. I don’t see it lasting long enough but the greater appeal wins over. I mean, he’s alright looking, has a meaningful song that he wrote partially himself, and despite sharp features he appears dreamy.

Top Cats – Baby Doll
=> Andra Chansen

This song offends me on several levels: it’s a near copy of the song by the Playtones in past years, with the same style, the same beat, and the same bass line musically. I started watching it and I thought, okay Sweden will buy into it, and sure enough they did. I predicted that it would be “bought” but not for the same reason that others think. The song would appeal to an older generation of people for nostalgic purposes, but I don’t buy it, and I don’t think Eurovision in Baku would buy it either. There is absolutely nothing exciting about this number: it’s simple and predictable, with lots of hair gel. I don’t dig it. Further to that, as a musician I’m horrified and offended that one of the members thought it was appropriate to stand on his bass… That bass should be taken away from him.

Sonja Aldén – I din himmel
❗ Personal Favourite

When I heard that Sonja was coming back to the competition months ago I got all excited because anything by her is hands down fabulous. I wasn’t disappointed with her very minimalist and empathetic ballad this year. Sadly the Swedish televoters thought differently and voted for inferior songs, in my opinion. In a beautiful dress, with smoke and a bridge going to nowhere, they didn’t buy it, but I sure did. With a spine shivering, and the hairs on my skin raising, I couldn’t help but be so enchanted by it, but deep down I kind of knew that the public wouldn’t go for it. I wore black in mourning for this song not qualifying; Sonja has just had horrible luck with Melodifestivalen.

Andreas Lundstedt – Aldrig aldrig
❗ Personal Favourite

Andreas has been around for a really long time, longer than I care to remember, and I didn’t really think of it until my aunt asked me how old he was. I looked it up and was horrified to learn he was 40. Then I thought, oh yeah okay that’s actually somewhat possible because he’s been around the block. What amazes me that throughout his entire career his voice has stayed the same and is quite presentable. This song is fresh, catchy and will no doubt be a radio hit but it didn’t really fly with the telemeters. I don’t exactly know why my three favourite songs ended up in the bottom, but it just doesn’t seem fair. One thing I criticize is the fact that there is far too much crotch grabbing; it would have been good enough without that.

Timoteij – Stormande hav
=> Andra Chansen
❗ Personal Favourite

As with two years ago, a catchy folk dance tune with a huge beat. It’s totally predicable, and quite frankly I don’t give a flying fuck if it sounds similer to “Kom” but alas this has enough personality to be it’s own song. Presentation was more or less the same but this time with actual dances (drool @ last years dreamy dancer(s)) that make it a better overall production. What horrifies me is that this goes to Andra Chansen and did not qualify directly. I fear that the may get lost, but their fabulousness and folk feel works totally on me and I’m sold! Plus they are hawt!

David Lindgren – Shout it out
=> Globen

Direct to Globen? You’ve got to be freaking kidding me! As good as his voice is, the frank fact that this is a complete rip off of last year’s runner off makes me kind of sick. He’s charming yes, and has a good future in the industry ahead, but I don’t really see the greater appeal for this act? It may end up being a strong contender to win, but if this is sent to Eurovision, then Sweden will end up losing… badly.

Mimi Oh – Dët går för långsamt
❗ Personal Favourite

I expected big things from Mimi Oh, and despite the song being original enough it was flawed. I liked it anyways. New to the scene, singing out of range, and singing a super repetitive song, it screams that it’s destined for the radio (with a better studio edited version). I think what made me the happiest is the energy that was filled with everything, but it’s the bright florescent yellow dress that was worn with the pink and green pants on the others. My “mystery” dancer again makes me drool, and the song makes my toes tap but it’s not surprising that it ended up last place. I just mourn the loss regardless.

Thomas di Leva – Ge aldrig upp
❗ Personal Favourite

This one really baffles me in so many levels. On the first level, the man has the weirdest sense of dress and reminds me a bit of Roger Pontare, and in all fairness he marches to the beat of his own drum. The hair, makes it all go a little more weird, but I just keep returning to the idea that he’s wearing a dress with a lightning bolt in it. The song is okay, but then I’m distracted again by the extreme effeminate eyes that makes me wonder if it’s really a man. He’s accomplished, I won’t deny that, but the older populations must have been paying attention to vote this ahead of my three favourites. There may have been a vote split, and despite the positive and inspiring lyrics, I was unsold from the beginning to end. Again.. a dress..?!

And that was the day; huge disappointment for music, great thing for the radio scene with clearly a few new pop songs to hit the waves, I can only hope that Andra Chansen fairs well for my favourites instead of the crazy Swedes that seem to make different decisions than me.