Ironically the final heat of the competition, introduces the final eight songs for the competition in the location that will be hosting Eurovision Song Contest 2013. The semi-final is viewed as the most competitive and producing the best music, and produced upsets and surprises on many levels.
As much as I really hate Alexander Bard and his audacious attitude and narcissistic attitudes, this was one of the most interest, strange, and glamourously fabulous entires this year. Despite being a classically awesome Melodifestivalen entry, it crashes and burns the same as Swedish House Wives, which 10 years ago would have assuredly successfully qualified. With strange outfits, regality of La Camilla, and body glitter to the max mixed with tiger, this disco-pop hit is much better than it did. I was confused for awhile thinking that Jean-PIerre was wearing a bodysuit, as it turns out it was all skin, scruff, and body glitter on every single inch of his visible body. He took fabulous into it’s own right, and represented. I just can’t help but wonder how much more the house dancers had to get paid to walk around in skin tight underwear and jock-straps. Also, was it just me or was La Camilla (as fabulous as she is) lip-synching? Alexander Bard and his ugly beard has nothing on them.
A lovely entry but it lost a lot of it’s originality because it sounds like a direct copy of Adele’s Rolling In the Deep, of which any person who’s heard it would recognise the similarities. The act was very simple and straight forward and well executed, but frankly was very boring with nothing exciting.
Another Idol graduate was favoured in this competition and sent to the second chance round, but quite frankly this song irks me and I don’t know what it is. It may be the seeming fake boyishness that Robin exudes, or the fact that I don’t like his style of singing or execution of the song. There is something odd about his guy that doesn’t sit well with me, is it his oddly sharp eyebrows, or his dimples, or the fact that his forehead is huge, or that his smile is super fake? I believe him to be heavily favourites in second chance round, because Lord knows that every teeny-bopper in the world will be voting for him and Anton Ewald in hopes that one day they will get to marry them. Dream on, and stop playing this annoying song!
If someone would have told me that this was a Thomas G:son composition I never would have believed it. This is a very strange song, and oddly classic jazzy-pop, but in my opinion not a winner by any means. Sylvia executes the song decently but I found the “SYLVIA” stage props to be a little bit narcissistic. Never a threat, and unsurprisingly ended up in seventh place.
However the negative emotions in the past, Ralf Gyllenhammar brought talent to the competition with an originally rock-pop song that unsurprisingly was a direct qualifier to the final. Almost expecting to qualify, his disgusting dirty moustache and piano-fire act earned him a spot in the final. The song is very powerful and attractive to many people, but really I just think that it won’t have much contention in the final. I just wish that qualifiers had a better attitude about Melodifestivalen from the past, and the ones that don’t who qualify makes it a very unattractive quality. Why even compete if you don’t like the competition? Either way, as Ralf says (oddly) fire is Melodifestivalen.
Who knew that rap could be fun and actually sung? This is a fun song with a really enunciative rap-style from Behrang and his ensemble. It’s fun, it makes you want to get up and dance (as the title suggests) and is a good and different addition to the competition. At times I think it’s a bit bouncy and spastic, but really the whole point is to be having fun. I think that the backing singers are very good and provide the rap song with actual music (note that I don’t like rap) which creates a nice blend. I think it will do well in Andra Chansen but won’t eventually qualify.
A lot of people have been saying that this song is boring, and well in some ways it really is, but it’s a lot better than a majority of the other songs this year. I frankly think that it’s a very lovely anthem and it’s a step above about half of the entrants, but still gets lost in the frizzle. Charming and simple, yet quiet and beautifully executed. Well presented with a good voice, but really didn’t pack enough of a punch.
Well everyone has this one poked out to be the far-and-away favourite to win the competition and to represent Sweden in Malmö this year. It’s clear that despite Christer Björkman not claiming that he has a favourite, that when it comes down to it it’s clearly going to be the result. As for the song, I think that it’s a good song but it’s eerily like most Coldplay songs. At one point I actually thought that I had heard a song that was similar. The background graphics were fantastic and really made a good and simple impact for the song. I think the thing that Christer wanted for this one was to focus on the song and bring more focus to the talent of the artist, and take away from the “frill” for a winner that has been a Swedish norm for a really long time. A great song, but I’m not an Ulrik Munther fan so I’m hoping for something else in the final.
The fourth and final semi-final heat in the competition produced by and far the best music of the competition and ends up setting up the Andra Chansen round to hopefully produce another female into the final (as for right now only Louise Hoffsten). It’s a sausage fest, and I’m hoping that Caroline af Ugglas can represent! Just a couple of weeks to go!
On another note, it’s important to note some cameo appearances by this year’s Eurovision Song Contest host Petra Mede, who’s French is sounding perfect, and a desperate attempt by Sarah Dawn Finer to make an appearance in the show in her fabulous gold sequinned dress. Though the show-stopper was by far the return of Alcazar who performed a medley of their songs including Stay the Night, Alcastar, and Not a Sinner Nor a Saint featuring Danny “Seduco – the Alcaboy.”