So we have come to the pinnacle of the Melodifestivalen season where Sweden decides it’s fate and attempts to put it’s best foot forward to Eurovision with an attempt to win. At the onset of the final, there were two songs that stood out, and the rest tied for last place or varying degrees thereof.
A fourth place finish is hardly surprising as fresh out of the gate David was the first one to perform. His song seemed to have changed slightly in an attempt to sway the televoters and international juries. All in all an energetic performance of a song that will be played in the discos for years to come. He appeared to have a little more facial hair this time, maybe going for sex appeal?
I didn’t like it but the public did and ranked it third in televoting, leaving it in eight place overall. Kind of funny that the public carried it so much and yet it ended up third to last? The song is dark and deep but when it comes to actual appeal of it I don’t see it at all. Even when he received his televotes he didn’t look terribly concerned or interest, and even disappointed. It would have been tragic to see him at Eurovision, quite frankly.
I don’t like hard rock like in the semi-finals, but this song grew on me after a few listenings. Good vocals and a much more engaged performance led the group to seventh place. Unsurprisingly the performance wasn’t much different, and there wasn’t much change expected from the prior performance.
Hands down in my opinion the absolute best song in this years competition. It’s simple and sweet, empathetic and perfectly executed with the most simple of backing dancers to add some flare. A lot of talk was going on around this particular song and why it was voted directly into the final. I can’t say much on that subject, but I’m surprised with it’s finishing ninth. People didn’t get what the hype was about, but mostly because two other singers had the hype surrounding them like a cyclone. Terribly underrated, and again my favourite for the year.
Boring rock song that I’m sick of hearing. I had to hear it once in the semi-final, twice in Andra Chansen and all of the snabb-repriser, so needless to say I wasn’t really digging it. I did start to notice ears a little bit more and how much they stuck out, which made me more interested in watching semi-attractive people dance around on stage trying to convince us to vote for them.
The bookies called it at the beginning of the competition and as a result, it won. It was the strongest performance and dances despite illness, but really made for a slightly boring year in Melodifestivalen. The last few years it’s been obvious who will win and there is no last minute voting shockers to give us some more interest. Shocked that she won, and slow getting up on stage resulted in awkward commentating by Sarah Dawn Finer (good job by the way), and a star-struck winner. I do think that she’s a great representative and the best song to win at Eurovision, but I think the introverted nature of Loreen will play against her on the European stage.
Having turned 18 since his last performance, as Sarah Dawn Finer diligently pointed out, pedophiles around Sweden and the world weeped tragedy at their loss. A pretty face, with a good masculine song, and a harmonica for the bonus, but he was no match for team-Danny/Loreen and finished a strong third.
I’m thankful that this received the lowest international jury votes, and third lowest televoting votes. The writer had his moment in the semi-final, which will likely be the apex of his musical career, and in the end finished last (thank God) as crushed by the onslaught of the popular artists.
This song is like nails on a chalkboard for me and doesn’t have any bite to it at all. I ripped it apart in the semi-final review and therefore won’t do it again. I don’t like Molly, I don’t like her ballads, and I don’t like her outfit. It’s a recipe for disaster for me, and as a result this song was a complete non-issue for me this year. The only other artist at this point that would have turned me off from Melodifestivalen would have been Amy Diamond.
Nothing can match the on stage performance that this piece presented; it simply was the best. The message of the song was uplifting and people bought into it. It garnered the second highest televotes and the second highest international jury votes. It’s result is justified, and will only make people love him more. The question is however, if he will turn into Måns Zelmerlöw and not show back up to the competition because of his loss, or will he brush his shoulders off and take the second second place finish in two years and improve to first?
Overall the competition was a success, the right song won, everyone celebrated and professed how much they love Loreen, and life goes on without next to no drama. The highlight of the show for me was the fantastic Sarah Dawn Finer taking the total piss out of the UK doing a parody about their possible ignorance in regards to Baku and Azerbaijan (not even being able to pronounce it; and having no fucking clue where it is). Not only did it make me seriously think it was bang on, but it also made me laugh because everyone could still tell that she was taking the piss!
This is the critic in me signing off until the trip to Baku (which I obviously won’t be making), but will in spirit!